In 'Twilight of the Vanities', Wim Legrand continues to explore idiosyncratic visual language of unicorns, cheeses and hotdogs – randomly commonplace, seemingly innocuous objects staged in fabulistic landscape scenes. Playing with visual motifs and an array of references, the exhibition draws a parallel between historic painting traditions and the iconography and practices of our current social media age. Ultimately, Legrand’s paintings explore how images accrue, change, and sometimes lose, meaning.